The Italian Wars of 1494-1559 had a major impact on the whole of Renaissance Europe. In this important text, Michael Mallett and Christine Shaw place the conflict within the political and economic context of the wars. Emphasising the gap between aims and strategies of the political masters and what their commanders and troops could actually accomplish on the ground, they analyse developments in military tactics and the tactical use of firearms and examine how Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about. The history of Renaissance Italy is currently being radically rethought by historians. This book is a major contribution to this re-evaluation, and will be essential reading for all students of Renaissance and military history.

The Italian Wars 1494-1559

A historical analysis of the course of military operations and political machinations in Italy at the turn of the sixteenth century. The First and Second Italian Wars begins with the French conquest of much of Italy. But the French hold collapsed. The second French invasion gained Northern Italy. This time, the French allied with the Pope’s son, Cesare Borgia. Cesare managed to double deal too many people; his efforts ended in disaster. The French agreement with the Spanish allowed them to retake Naples only to be defeated at the Garigliano by the famous general, Gonzalo de Cordoba. These wars were not just another series of medieval fights. These battles were different from what had gone before: the French utilized a new method of artillery transport; the Spanish commander formulated a new system of military unit organization, and Cesare Borgia sought different systems of raising troops and forming states. And all the powers managed to spend vast amounts of money the likes of which no one had imagined before. This was the emergence of the so-called Military Revolution. Praise for The First and Second Italian Wars 1494–1504 “An amazing account of medieval warfare between two of Europe’s principle nations.” —Books Monthly (UK) “This is a fascinating, detailed look at these crucial wars, placing the military campaigns in their political context—the world that inspired the writings of Machiavelli, and you can see where he got his inspiration from!” —History of War

The First & Second Italian Wars, 1494–1504

On 6 July 1495 a sudden gunshot came from the right bank of the Taro River in the Gerola Valley, near Fornovo (not far from Parma); shortly afterwards a sky full of clouds unleashed its fury on a wretched battlefield. That gunshot kicked off a battle which changed warfare and represented the starting point of a raging conflict known as the Italian Wars. Francesco II Gonzaga, a brave commander and leader of the League, challenged the fury of the flooding Taro River in a clash against Charles VIII, a contemptuous king who ravaged the peninsula from Piedmont to Campania and spread terror wherever his terrible mercenaries set foot. This volume, The Italian Wars Volume 1. The expedition of Charles VIII into Italy and the Battle of Fornovo, offers an accurate analysis of every frantic stage of the battle. The reader will be transported into the heart of battle and exposed to the rumble of thunder and the clash of arms. They will see how the encounter wore out both sides, leading the opponents to an unclear resolution: both armies claimed victory. The text offers a detailed description of the composition of the armies, the weapons, and the armour, as well as of the heraldry borne by captains and shown on standards. Such analysis is based on the authors' research on Italian and French contemporary documents and pictures. Wonderful painted illustrations are shown on charts, thus delivering an immediate and clear overview of the men and the colours on the battlefield.

The Italian Wars

Pavia, 24th February 1525. In the dead of night, Spanish and German troops led by Charles de Bourbon launch a surprise attack against the French army that has been laying siege to Pavia of months.

The Italian Wars Volume 3

An account of the actions that followed the formation of the League of Cambrai in 1508.

The Italian Wars Volume 2

April 1544: The French army led by Charles of Bourbon Count of Enghien - deployed in the siege of Cairignano, a city occupied by the imperials - was ordered to fight Alfonso d'Avalos Marquis of Vasto, the hated Imperial rival.After almost twenty years from the legendary Battle of Pavia, the two most powerful European States faced each other again in battle. On one side, French and Swiss. On the other side, Imperials and the dreaded Landsknechts.The memory of the carnage of the Black Bands and Swiss soldiers is still vivid in the Swiss veterans' minds.On Easter day 1544, the two armies engaged in battle but the outcome remained unclear.The day after, however, the men led by Bourbon seemed to prevail. The Imperial cavalry was defeated by the French - who demonstrated again their bravery.The initial success of the Spanish infantry was soon jeopardized by the gruesome clash between the Imperial square formations and the Swiss. The Enfants perdus detached from the Swiss square and massacred the enemy with their halberds with a flank attack. A wrong maneuver of the Imperial cavalry broke their companions' formation and signed the Imperial defeat.Hundreds of Landsknechts died under French's and Swiss' pikes with only a few survivors.At the end of the day, Bourbon and his men are victorious.For how glorious this battle was, its outcome changed little to nothing in the power balance of Italy. Thus, the French crown regarded it as a secondary victory.

The Italian Wars: Volume 4 - The Battle of Ceresole, 14 April 1544

In this volume, the structure of the armies, the weapons, the battles and their death toll are described. Chronicles, reports, and studies on the subject were compared and contrasted with one another to render a picture as true as possible to the reality of facts, highlighting the often contrasting versions of the chroniclers. Finally, military heraldry, armies' identification marks, and captains' emblems displayed on garments, harnesses, and insignias are analyzed. Also in this case, documentary sources were studied and compared with the iconographical sources.

The Italian Wars Volume 5

*Includes pictures *Includes a bibliography for further reading In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation, forevermore, of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in a myriad of ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula. The diplomatic and military history of this 30 year period is a complex one that one eminent Renaissance historian, Lauro Martines, has described as "best told by a computer, so many and tangled are the treatises, negotiations and battles." At the same time, the fighting went in tandem with the Renaissance and was influenced by it. Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became Pope. Among all of the Medicis, its most famous member ruled during the Golden Age of Florence at the apex of the Renaissance's artistic achievements. Lorenzo de Medici, commonly referred to as Lorenzo the Magnificent, was groomed both intellectually and politically to rule, and he took the reins of power at just 20 years old. Lorenzo de Medici may have not been a king, prince or duke, but he nevertheless held significant influence over all of the noble houses of the region, from Milan and Naples to the King of France. Between 1482 and 1484, Lorenzo's influence prevented a close alliance between King Louis IX of France and the city of Venice, which was at war with Ferrara. Lorenzo's personal influence helped reduce Venice's power in the region. During the Baron's War of 1485 and 1486, while Florence sided with the pope, Lorenzo favored Ferdinando of Aragon, who had close ties with Naples, giving Lorenzo the chance to attempt to negotiate an improvement in relations between the pope and Naples. While the two had once been allied against Florence, their alliance had ended with the war. Lorenzo proposed a new agreement between the two, largely centered around financial obligations, in 1489. It was accepted in 1492, creating an enduring peace for some time. Perhaps fittingly, once Lorenzo the Magnificent died, the tenuous peace would go with him, touching off the Italian Wars. The First Italian War: The History and Legacy of the Italian Wars' Initial Conflict at the Height of the Renaissance chronicles the various nations and city-states that jousted for power throughout the peninsula during the late 15th century. Along with pictures of important people, places, and events, you will learn about the First Italian War like never before.

The First Italian War

The Italian Renaissance marked a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy; both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry – carrying not only polearms and crossbows but also handguns – which proved capable of challenging the previously dominant armoured knights. The widespread use of mercenaries ushered in the early development of the 'pike and shot' era that succeeded the 'High Middle Ages'. During this period costumes, armour and weapons varied greatly due to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.

Renaissance Armies in Italy 1450–1550

The Italian Wars, 1494-1559

*Includes pictures *Includes contemporary accounts *Includes online resources and a bibliography for further reading In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation, forevermore, of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in a myriad of ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula. The diplomatic and military history of this 30 year period is a complex one that one eminent Renaissance historian, Lauro Martines, has described as "best told by a computer, so many and tangled are the treatises, negotiations and battles." At the same time, the fighting went in tandem with the Renaissance and was influenced by it. Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became Pope. Lorenzo de Medici may have not been a king, prince or duke, but he nevertheless held significant influence over all of the noble houses of the region, from Milan and Naples to the King of France. Between 1482 and 1484, Lorenzo's influence prevented a close alliance between King Louis IX of France and the city of Venice, which was at war with Ferrara. Lorenzo's personal influence helped reduce Venice's power in the region. During the Baron's War of 1485 and 1486, while Florence sided with the pope, Lorenzo favored Ferdinando of Aragon, who had close ties with Naples, giving Lorenzo the chance to attempt to negotiate an improvement in relations between the pope and Naples. While the two had once been allied against Florence, their alliance had ended with the war. Lorenzo proposed a new agreement between the two, largely centered around financial obligations, in 1489. It was accepted in 1492, creating an enduring peace for some time. Perhaps fittingly, once Lorenzo the Magnificent died, the tenuous peace would go with him, touching off the Italian Wars. The French Invasion of Italy in 1494: The History and Legacy of the Conflict that Started the Italian Wars chronicles the decisive campaign that forever changed the Italian peninsula at the end of the 15th century. Along with pictures of important people, places, and events, you will learn about the First Italian War like never before.

The French Invasion of Italy in 1494

Renaissance Mass Murder explores the devastating impact of war on the men and women of the Renaissance. In contrast to the picture of balance and harmony usually associated with the Renaissance, it uncovers in forensic detail a world in which sacks of Italian cities and massacres of civilians at the hands of French, German, Spanish, Swiss, and Italian troops were regular occurrences. The arguments presented are based on a wealth of evidence - histories and chronicles, poetry and paintings, sculpture and other objects - which together provide a new and startling history of sixteenth-century Italy and a social history of the Italian Wars. It outlines how massacres happened, how princes, soldiers, lawyers, and writers justified and explained such events, and how they were represented in contemporary culture. On this basis, Renaissance Mass Murder reconstructs the terrifying individual experiences of civilians in the face of war and in doing so offers a story of human tragedy which redresses the balance of the history of the Italian Wars, and of Renaissance warfare, in favour of the civilian and away from the din of battle. This volume also places mass murder in a broader historical context and challenges claims that such violence was unusual or in decline in early modern Europe. Finally, it shows that women often suffered disproportionately from this violence and that immunity for them, as for their children, was often partially developed or poorly respected.

Renaissance Mass Murder

The Italian Wars 1494–1559 outlines the major impact that these wars had, not just on the history of Italy, but on the history of Europe as a whole. It provides the first detailed account of the entire course of the wars, covering all the campaigns and placing the military conflicts in their political, diplomatic, social and economic contexts. Throughout the book, new developments in military tactics, the composition of armies, the balance between infantry and cavalry, and the use of firearms are described and analysed. How Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about is also examined, offering a view of the wars from a variety of perspectives. Fully updated and containing a range of maps as well as a brand-new chapter on propaganda and images of war, this second edition of The Italian Wars 1494–1559 is essential reading for all students of Renaissance and military history.

The eminent Renaissance historian’s classic study of warfare between Italian city-states between the 13th and 16th centuries. Michael Mallett’s lucid account of the age of the condottieri—or mercenary captains of fortune—and of the soldiers who fought under them is set in the wider context of the Italian society of the time and of the warring city-states who employed them. Mallett presents a colorful portrait of the mercenaries themselves, as well as their commanders and their campaigns, while also exploring how war was practiced in the Renaissance world. Mallett puts special focus on the 15th century, a confused period of turbulence and transition when standing armies were formed in Italy and more modern types of military organization took hold across Europe. But it also looks back to the middle ages, and forward to the Italian wars of the sixteenth century when foreign armies disputed the European balance of power on Italian soil. First published I 1974, Mallett’s pioneering study remains an essential text on the subject of warfare in the late medieval period and the Renaissance.

Mercenaries and Their Masters

This 1921 book examines changes in warfare between the medieval period and the renaissance and relates them to intellectual developments.

The Art of War in Italy 1494-1529

By 1525 France had turned its attention to the conquering of the rich Italian Duchy of Milan, opposed or assisted at varying times by Italian states, with both sides calling upon the support of Swiss, German and Italian mercenaries. In these campaigns France's toughest adversary was the Spanish army, and when the thrones of Spain and Austria were combined in 1519, it altered the whole nature of the Italian Wars. In the titanic clash at Pavia, the French were smashed by the Imperial army, King Francis I captured, and the cream of his nobility slaughtered.

Pavia 1525

The Italian Wars is a study guide suitable for senior high school or first year university students, and was chapter 3 of the seminal history textbook 'Years of Renewal: European History 1470 to 1600. Topics covered include: Italy in 1494, Charles VIII, the French Invasion of 1494-1495, The Holy League, Louis XII, Papal Expansion in central Italy, the War of the League of Cambrai, the War of the Holy League and Francis I.

The rulers of Renaissance France regarded war as hugely important. This book shows why, looking at all aspects of warfare from strategy to its reception, depiction and promotion.

Renaissance France at War

THE change from mediaeval to modern methods in the art of war is closely related to the general transformation of European civilization which goes by the name of the Renaissance. The revival of interest in ancient history and literature had a distinct effect on military theory and practice. The new spirit of inquiry and experiment applied itself vigorously to military problems. Moreover the avowed national separatism which replaced the sham imperialism of the Middle Ages accentuated the rivalry between states and produced wars which were more frequent, more prolonged, more general, and more intense than those of the preceding centuries. The history of these wars, waged in an age of eager intellectual activity, reveals, as we should expect it to reveal, rapid progress, amounting almost to revolution, in the use of arms, but what makes an examination of the subject singularly instructive is the fact that the most important of these campaigns were fought in Italy during the culminating years of the Italian Renaissance. The finest minds of the day had the opportunity of witnessing, of recording, and of commenting on the exploits of the leading captains and the most famous troops of Europe. They assisted in the interplay of ideas and the comparison of experiences. The fruit of this period of intensive cultivation of the art of war was the military science of the modern world. When, in the autumn of 1494, Charles VIII of France set out for the conquest of Naples he did so in a spirit of adventure, at the head of an army raised for the occasion, and with the declared desire to proceed ultimately to the Holy Land. When, in 1529, the treaty of Cambrai brought the Italian wars to a close there had already appeared in Europe such modern phenomena as the principle of the balance of power, trained standing armies, and competitive armaments. In the following chapters an attempt will be made to trace the stages of the process by which this change from mediaeval to modern Europe manifested itself in the development of the art of war. The inquiry will be restricted to the campaigns which were fought in Italy between the years mentioned above, but since during that period Italy was the battlefield of Europe it will be well to begin with a brief consideration of the military condition of the countries which took part in the wars...

The Art of War in Italy [Didactic Press Paperbacks]

The military nobility – "signori di castelli", lords of castles – formed an important component of the society of Renaissance Italy, although they have often been disregarded by historians, or treated as an anomaly. In Barons and Castellans: The Military Nobility of Renaissance Italy, Christine Shaw provides the first comparative study of “lords of castles”, great and small, throughout Italy, examining their military and political significance, and how their roles changed during the Italian Wars. Her main focus is on their military resources and how they deployed them in public and private wars, in pursuit of their own interests and in the service of others, and on how their military weight affected their political standing and influence.

Barons and Castellans

Modern diplomacy began in the fifteenth century when the Italian city-states established resident embassies at the courts of their neighbors. By the sixteenth century, the forms and techniques of the new continuing diplomacy had spread northward to be further developed by the emerging European powers. “The new Italian institution of permanent diplomacy was drawn into the service of the rising nation-states. and served, like the standing army of which it was the counterpart, at once to nourish their growth and foster their idolatry. It still serves them and must go on doing so as long as nation-states survive.” Garrett Mattingly, author of Catherine of Aragon and The Armada, here tells the story of Western diplomacy in its formative period and explains the evolution of the diplomat’s function. His able and lively discussion also forms, in effect, a history of Western Europe from an entirely fresh point of view. “Garrett Mattingly develops his theme with historical skill, a sense of the relevance of his subject to modern problems, and a literary grace all too rare in works of serious scholarship.”-New York Herald Tribune “An important book...carefully and elegantly written.”-Times Literary Supplement “Presents the many facets of a highly complex subject in a way which is as readable as it is scholarly.”-American Historical Review “A remarkable book: bold, scholarly and original, it will appeal equally to the expert and to the historically-minded general reader.”-New Statesman and Nation

Renaissance Diplomacy

The Landsknechts were German mercenaries who served during the reigns of Maximilian I and Charles V in the sixteenth century. Having signed up, these Landsknechts were read a very detailed code of conduct, organized into companies, paid one month in advance, and sent into battle! Their major weapon was the pike, which could be up to 18 feet in length, but those whose duty it was to advance in the front line carried instead the fearsome Zweihänder; an enormous battle-sword around 66 inches in length! Douglas Miller describes in detail the organisation, tactics, weapons, uniforms and history of these remarkable soldiers.

The Landsknechts

In the beginning of the time period concerned, we are still in the Middle Ages - Flodden Field or Novara might almost have been fought in the fifteenth century. At the end a formal battle like Nieuport might almost have been fought in the Thirty Years War. This volume is the result of an attempt to sum up the fundamental alterations in the Art of War between 1494 and 1600, and is intended to serve as an outline of military theory and practice between those dates.

Revival: a History of the Art of War in the Sixteenth Century (1937)

The Italian Wars (1494–1559) were a series of conflicts fought primarily between France and Spain, with involvement from the Holy Roman Empire, the Papal States, and various Italian city-states, over control of Italy. Initiated by Charles VIII of France’s invasion in 1494, the wars saw shifting alliances and brutal battles, including the Sack of Rome (1527) and the Battle of Pavia (1525), where Emperor Charles V captured French King Francis I. Spain ultimately emerged victorious, securing dominance over Italy through the Treaty of Cateau-Cambrésis (1559), which established Spanish control over Milan, Naples, and Sicily for nearly two centuries.

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Italian Wars

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